![]() ![]() Marjolijn Dijkman, Earthing Discharge #7, 2021 (e-waste, coal, spodumene with lithium), Fujiflex print, 110 x 140 cmĭepth of Discharge is depicting items associated with technology and energy use -minerals, circuit boards, and personal devices. ![]() Marjolijn Dijkman, Earthing Discharge #8, 2021 (coal), Fujiflex print, 110 x 100 cm This technique is also used in paranoramal science. A coronal discharge is an electrical discharge caused by the ionization of gas or fluid surrounding an object. Kirlian photography is a way to create images of coronal discharges around an object. To think about photography is to think about the human being theirself.”ĭries Segers, Kirlian Leaf, 2022, unfinshed project “A photograph without the intervention of human perception is just a material, but when a human being sees it and thinks about it at a certain time and place, the photograph becomes an interesting phenomenon. Each photo tells the bio-chromatic story of a specific plant and place it seems that the intensity of the plant colour is strongly influenced by the living conditions of the plant.ĭaisuke Yokota, Untitled, 2015, 90×72 cm, Archival Pigment Print By presenting these photographic colour patches in a tight matrix, Hop and Svenson generate, as it were, a sample map of a specific environment with various gradations of tones from the colour spectrum. Each residue results in a unique layered colour tone. The duo developed their own method to convert the plant residues directly into analogue photographic prints. They then extract juices from these using traditional methods. Within a certain geographical area, Hop & Svenson take samples of the plants growing there. The resulting photofloral tracings, impressions of the interactions of flora, chemistries, and light were then digitised and used as input data for neural networks, adding a hybrid dimension to the resulting works.Īrja Hop & Peter Svenson, Florachromes, 2015, analogue C-print Using a technique pioneered by Karel Doing, we used the chlorophyll in the plants, taken from each of their gardens in Lisbon and London, to develop the images, so that no chemicals were used. Various and Casual Occursions, Anna Ridler and Sofia Crespo, 2023, phytogramĪ large part of this project was exploring different forms of digital and analogue experimental photography – not just neural nets, but also one of the earliest forms of cameraless photography, photograms. The 'aliveness' of the images is underlined by Andrea Szigetvári's evocative sound-design. What at first glance is perceived as abstract turns out to be a concrete precipitation from phenomena that surround us in everyday life. By using plants, mud and salt in conjunction with alternative photochemistry, images are 'grown' on motion picture film.
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